When Europeans first encountered the Magdalenian Australian Art Paintings of the Altamira cave, Cantabria, Spain in 1879, they were considered to be hoaxes by academics. The new Darwinian thinking on evolution was interpreted as meaning that early humans could not have been sufficiently advanced to create art. Emile Cartailhac, one of the most respected prehistorians of the late nineteenth century believed they had been thought up by Creationists to support their ideas and ridicule Darwin’s. Recent reappraisals and increasing numbers of discoveries have illustrated their authenticity and indicated the high levels of artistry of Upper Palaeolithic humans who used only basic tools. Cave Australian Art Paintings can also give valuable clues as to the culture and beliefs of that era.
Australian Art Category
November 30th, 2010
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